Jacqueline J Jenkins

It is my sincere belief that God's desire is that none of the negative characteristics, personality flaws, or blemishes uncovered in this book be resident in any of His servants. Although this book is covering several male characters in the Bible, these same traits can also be prevalent in women. If...

This book is a must read for anyone whose church is struggling with the issue of homosexuality. It is the story of a part-time seminary student and church bulletin stuffer, who successfully challenged the old and refuted science in the Episcopal Church's theological explanation for consecrating a pa...

The Humorous Magistrate' is a seventeenth-century satiric comedy extant in two highly distinctive manuscripts. The earliest and clearly working draft of the play is bound with three other plays (including 'The Emperor's Favourite', published by the Malone Society in 2010) in a volume in the library ...

Amongst the small herd was a young colt about 12mths old. He was named Sniffer by his mum because to was always putting up his head high and sniffing the wind and desiring with all his heart to follow his nose. Sniffer was very adventurous and his mum had to keep a good eye on him and was worried ab...

In an American culture that is constantly drifting away from moral values and biblically defined gender roles, the voice of Jacqueline Jenkins cries in the wilderness, "make His paths straight!", in her timely new book, Eve, Abigail, Sapphira., Jacqueline remixes the biographies of major women in th...

Julian of Norwich (ca. 1343–ca. 1416), a contemporary of Geoffrey Chaucer, William Langland, and John Wyclif, is the earliest woman writer of English we know about. Although she described herself as “a simple creature unlettered,” Julian is now widely recognized as one of the great speculative theol...

Matildas is a lovely young girl who is very adventurous and excited about her birthday, she can't sleep, and the moon is beautiful big and bright, seeing a Kangaroo from her bedroom window . . .

The critical work of editing performance texts poses particular challenges for historians and scholars of the early periods of English literature, not least of which is the ephemerality of performance and the fragility of the archival evidence. The contributors to this volume engage with this challe...